2026 Capitol Hill Chamber Music Festival
Home
Artists
Giving
Reviews & Info

BALTIMORE

September 21 & October 8:
ST. IGNATIUS CHURCH

740 North Calvert Street
in Baltimore

st-ignatius.net St. Ignatius interior
St. Ignatius ceiling

September 27:
CHRIST LUTHERAN CHURCH

701 South Charles Street
in Baltimore

christinnerharbor.orgChrist Lutheran interior
Christ Lutheran rear facing

Suggested Donation:
$20 to $30
(a free will offering - everyone welcome)
•  18 and under FREE  •
baroque flute
Early Music Ameriica
The Capitol Hill Chamber Music Festival is proud to be an affiliate organization of Early Music America, which develops, strengthens, and celebrates early music and historically informed performance in North America.

CHCMF presents outstanding
early chamber music in Baltimore
thanks to your support.
Please donate! All donations are fully tax-deductible.


Washington, DC
Annapolis


2026 Capitol Hill Chamber Music Festival in Baltimore
~ Period Instrument chamber music from six centuries ~
~ in collaboration with St. Ignatius Church and  Christ Lutheran Church
  ~

2026: THE QUALITY OF MERCY
The 2026 Capitol Hill Chamber Music Festival celebrates our shared humanity
through the musical depiction of experiences of conflict resolution and compassion,
featuring 17th and 18th-century chamber music performed by period
instrument specialists from around the country and Canada.
September 21 - October 8, 2026
Please join our MAILING LIST for updated schedule announcements (please specify Baltimore)

  2026 #1  THESE DISTRACTED TIMES •



• Monday, September 21 at 7:00 PM
St. Ignatius Catholic Church at 740 North Calvert Street
also in Washington, DC & Annapolis

Napper Cohan Wright
Susie Napper
~ viola da gamba ~
Elisabeth Wright
~ harpsichord ~
Jeffrey Cohan
~ baroque flute ~

Suites entitled "La Paix" (Peace) and "Le Guerre" (War) by Monteclair and "A Sad Pavan for these Distracted Times" by Thomas Tomkins all reflect the 18th-century composer's proficiency in providing perspective and solace in the face of discord and suffering and are to be included among other works by Couperin, Johann Sebastian Bach, Élisabeth Jacquet de La Guerre and Louis Couperin.


Elisabeth WrightSusie NapperJeffrey Cohan

  2026 #2 • A CHACONNE FOR PEACE •



Sunday afternoon, September 27 at 2:00 PM
Christ Lutheran Church at 701 South Charles Street

Louis XIV
Melisande Corriveau
~ pardessus de viole ~
Susie Napper
~ viola da gamba ~

Elisabeth Wright
~ harpsichord ~
Jeffrey Cohan
~ baroque flute ~



     Les Voix humaines, the widely celebrated prize-winning duo of viols from Montreal, joins us in a program illuminating the role of the chaconne in France as the culminating expression of an opera’s content at the court of Louis XIV. In  Jean Baptiste Lully’s "Phaeton" (1683), warring nations are unified in global harmony. In "Persée" (1682) divine intervention brings a celebration of peace for the people of Ethiopia. Chaconnes from these operas and Lully's "Ballet du Temple de la Paix", in remarkable transcriptions for a small ensemble in 1713 by Louis XIV's court librarian Philidor l'Ainé, will be presented alongside Couperin's "La Paix de Parnasse" and other selections by Marin Marais and Arcangelo Corelli, which demonstrate the stylistic chasm between the French and Italian styles that was debated so vociferously in France during the early years of the 18th century.
Les Voix Humaines

 2026 #3    • THE QUALITY OF MERCY

               SHAKESPEARE IN VENICE 1600



• Thursday, October 8 at 7:00 PM
St. Ignatius Catholic Church at 740 North Calvert Street

Shakespeare
Marlisa del Cid Woods
~ baroque violin ~
Anna Marsh
~ dulcian/renaissance bassoon ~
William Simms
~ baroque guitar and theorbo ~
Jeffrey Cohan
~ renaissance flute ~


     Shakespeare remarked that "The quality of mercy is not strain’d, it droppeth as the gentle rain from heaven" in "The Merchant of Venice", first performed in 1605. The Italian chamber music from this time to be included in this program for bassoon, transverse flute, violin and guitar was imbued with humanism's late 16th and early 17th century perspective that brought human emotion and individualism ever more poignantly into public consciousness in all the arts. Music embraced greater chromaticism and emotional palpability, leading to the unfolding of what we think of today as baroque style. Stunning and relatively unknown musical selections by Cima, Buonamente, Merula, Frescobaldi and others are to be performed on very rarely heard instruments.

Claudio Merulo Girolamo Frescobaldi Tarquino Merula
★     ★     ★
Anna MarshWilliam SimmsMarlisa WoodsJeffrey Cohan


flute
The Capitol Hill Chamber Music Festival has since 2000 presented chamber music by familiar as well as little-known composers from the Renaissance through the present on Capitol Hill in period instrument performances which shed new light upon early performance practice and contemporary works. Unpublished works from the Library of Congress are given particular attention, and many have received their modern day premieres during these concerts, in addition to premieres of works by Slovenian composers. The Capitol Hill Chamber Music Festival is a nonprofit corporation in the District of Columbia and an affiliate organization of Early Music America.


no ai
virginals
~ updated August 26, 2026 ~
Do you receive our email announcements and flyers?!
Please sign up for our MAILING LIST (please specify Baltimore)
for concert announcements including additional program information.
  by writing to: 
CHCMF@aol.com ~ thank you!
CHCMF banner: detail from "Indeterminate Landscape" by James C. Holl.